ugg coquette slippers 5 Questions with Screenwriter Katherine Dieckmann
Her feature films A Good Baby (2000) and Diggers (2006) premiered at the Toronto International Film Festival, while Motherhood (2009) premiered at the Sundance Film Festival. in English from New York University.
Q. After 15 years in the classroom spent working with students on their feature length screenplays, I’ve discussed so many aspects of creating and critiquing scripts that I am far better equipped to assess what might work, or not work, in my own writing. I can spot potential troubles in my own pages before I ever arrive at them, then ideally diagnose and change course. There is no way to keep the two spheres separate, which sometimes makes writing one’s own work while teaching very challenging. Students’ plot lines and characters take up residence in your head, and sometimes it is very tough to evict them in order to protect your own imaginative space.
Q. Do you focus on one particular kind of writing or can you easily switch genres?
I started out as a journalist and critic, and my work in those arenas definitely informs my screenwriting. I can move fairly easily from one mode to the other. I’ve never written poetry, plays or fiction. I feel like the form of screenwriting is the best possible vessel for my interests, which include still photography, music, short stories and both cinematography and editing. All those things inform my work on my own scripts.
Q. How does living and working in New York influence your writing?
New York is a great place for overheard dialogue and odd incidents. It is a wonderful place to be an observer, and to gather observations. For me, it is not at all the best place to write. I far prefer the quiet concentration possible in a more rural environment, plus I like to take breaks from sitting at a desk to weed or mow the lawn or do some other mechanical chore (but not interact with humanity) as a way of sifting through ideas about whatever I am writing.